Ah, the eighteenth Century! London grew wealthy on the back of its coffee houses, the birthplaces of significant institutions like the Stock Exchange and the Bank of England. Why were they born in Coffeehouses?
Well, BBC R4 women’s hour has been dramatizing Joseph Addison’s pieces for thee Spectator. This is how Addison described his work in 1711:
I have passed my latter Years in this City, where I am frequently seen in most publick Places, tho’ there are not above half a dozen of my select Friends that know me; of whom my next Paper shall give a more particular Account. There is no place of Resort wherein I do not often make my appearance; sometimes I am seen thrusting my Head into a Round of Politicians at Will’s and listning with great Attention to the Narratives that are made in those little Circular Audiences. Sometimes I smoak a Pipe at Child’s; and, while I seem attentive to nothing but the Post-Man, over-hear the Conversation of every Table in the Room. I appear on Sunday nights at St. James’s Coffee House, and sometimes join the little Committee of Politicks in the Inner-Room, as one who comes there to Hear and Improve. My Face is likewise very well known at the Grecian, the Cocoa-Tree, and in the Theaters both of Drury Lane and the Hay-Market. I have been taken for a Merchant upon the Exchange for above these ten Years, and sometimes pass for a Jew in the Assembly of Stock-jobbers at Jonathan’s. In short, where-ever I see a Cluster of People, I always mix with them, tho' I never open my Lips but in my own Club. Thus I live in the World, rather as a Spectator of Mankind, than as one of the Species; by which means I have made my self a Speculative Statesman, Soldier, Merchant, and Artizan, without ever medling with any Practical Part in Life. I am very well versed in the Theory of an Husband, or a Father, and can discern the Errors in the Oeconomy, Business, and Diversion of others, better than those who are engaged in them; as Standers-by discover Blots, which are apt to escape those who are in the Game. I never espoused any Party with Violence, and am resolved to observe an exact Neutrality between the Whigs and Tories, unless I shall be forc'd to declare myself by the Hostilities of either side. In short, I have acted in all the parts of my Life as a Looker-on, which is the Character I intend to preserve in this Paper...There you go. Twitter, in 1711. Addison wasn’t a printing press enthusiast, but a people enthusiast. I realised years ago that our kids go MSN’ing not to explore hi-tec, but to chat with their mates. It’s a social process, stoopid. The sign of a technological dimwit is to think it’s all about the technology.
So, to recap, this is how to use Twitter. You have a stream of short snatches of conversation fed to your desktop. Imagine a drinks party at which several hundred people stand in small self-selected circles talking. Like Addison, you circulate and engage, knowing fullwell you don’t have to respond to all of every conversation, or even hear it, to give and take social value. Unlike Addison, you can:
- select as many or as few as you want to be of your party;
- engage people simultaneously all over the world;
- read and recall every conversation going on in the room if you really want;
- paticipate or not, if, for example, you have a condition like Aspergers affecting enjoyment of social interaction, on terms of engagement with which you can be comfortable
- search every conversation almost instantly to find people talking about whatever you want. For example if you really must go on about Treaty of Westphalia, you Twittersearch it and if anyone else has been talking about it, off you go. If they’re not you can start a conversation;
- turn it off and do something else at any time;
- Spend your cash on other things as the whole party costs almost nothing in either time or money terms.
Small talk is both entirely trivial and the essential stuff of life. In that spirit, why not let’s all just relax and enjoy Twitter for what it is? or not?
For my basic first thoughts about Twitter, click here.
There’s a brilliant post by Matt Kelland on the Haiku aspect of Twitter here. Thanks, Matt.
Excellent Introduction and tips for Twitter by David Pogue in the New York Times, here.