Showing posts with label Gregory Dix. Show all posts
Showing posts with label Gregory Dix. Show all posts

Wednesday, 7 May 2008

Nashdom — till we dead awaken

Having recently met people in Beaconsfield who had known Dom Gregory Dix, the great Liturgical scholar, it was slightly unnerving to bump into the gentleman’s grave yesterday, whilst working with a colleague in Education who lives in a flat in Nashdom House near Taplow.

Dom Gregory died of cancer, aged only 50, in 1952, and is buried with other members of his community in the grounds of this magnificent Lutyens summer mansion, now split into flats. Nashdom was built 1905-9 for a posh Cotton mill heiress, Frances Wilson, who married a Russian prince and became Princess Dolgorouki,
She wanted a house in the Thames Valley for weekend river parties and it had to provide a luxurious setting suitable for exiled royalty. Lutyens achieved this, not by the expenditure of vast sums of money, but by brilliant manipulation of space and levels. From the garden side, the elevation reflects the division of the house into the prince's and princess's suites, which can be transformed into a series of rooms over 100 feet long. The entrance loggia and court ...lead into a double staircase—one being the main stair, the other leading to The Big Room for grand parties...
Blimey! The parties started up in 1909 only eight years before everything fell apart for Russian Princesses. From 1926 for fifty years Nashdom was a monastery for up to 40 brothers. The ballroom became the chapel. Thirty years ago the community moved to Elmore near Newbury. The house is amazingly evocative of lost worlds — The Tsarist Court, followed by the mid century glory days of triumphalist institutional Anglo-Catholicism. Tightly disciplined monasticism was somehow suffused with the culture of a slightly racy country club, with occasional music around the piano from the London shows in the evenings. This was Barbara Pym’s world of cassocks on the lawn, priests who called people “my dear” with dry sherry in urbane huddles. Women’s ordination was as unthinkable as moon landings. Their defining Chicken Little Big Issue was the Church of South India.

Nashdom was only ever meant to be a summer house, and must have been a pig to live in during the winter. It’s hard to believe it now, but perfectly intelligent members of the English Upper Crust obsessed about Rome and measured their swelling triumph by the number of bishops they could get to wear copes and mitres! Somehow serious intellectual and pastoral work coexisted with the Wodehouse stuff. The community took as its special intention what was quaintly called “Corporate Reunion” — a top table institutional merger with Rome that would reunite the upper echelons of Christendom and, incidentally, dish the Nonconformists along the way. It all seems like a glint in the eye of John Betjeman’s teddy bear now. Like its secular counterpart over the road at Cliveden, the bottom fell out of this world in the 1960’s. Rising bills, the white heat of technology and Vatican II undermined the whole fantasy upon which it was predicated. All things must pass, and all that is left now are ghosts on the lawn.

The singing, of course, was lovely, even in a scratchy old 78 recording from the 1940’s. Here, with pictures from yesterday, is the timeless Lord’s Song, sung by lost voices from the Anglo-Catholic Titanic:

Friday, 18 April 2008

Round Tabling

I preached last night for the inauguration of Camilla Walton’s ministry as Team Vicar of St Michael’s Beaconsfield. Dom Gregory Dix’s monumental work, The Shape of the Liturgy, continuously in print since 1944, and profoundly influential in the remodeling of Roman Catholic, Anglican and Free Church liturgies in the 60’s and 70’s, was actually written not in Oxford, nor even a monastery, but the vicarage of Saint Michael’s which he had been sent to serve by his community early in the World War II. It was a joy and honour to meet someone who had served mass for Dom Gregory.

Camilla had chosen the Hymn to Love from I Corinthians 13 for her induction, along with Jesus washing his disciples feet in John 13. It reminded me of this poem, that various people last night asked me to put on the blog. I first encountered it from my friend and close colleague Sheila Nunn when she used it as the basis for the design of our Diocesan Convention Eucharist in 2002. I saw Sheila a lot as she was dying of cancer in 2003, and we talked through this poem together, and its implications for the kind of church we have to be, and the kind of bishop I was supposed to be — that had just been announced. I think of it often...
In search of a round table

Concerning the why and how and what and who of ministry,
One image keeps surfacing: A table that is round.
It will take some sawing
To be roundtabled.
Some redefining
And redesigning,
Some redoing and rebirthing
Of narrow long Churching
Can painful be
For people and tables.
It would mean no daising
And throning,
For but one king is there
And he is a foot washer,
At table no less.
And what of narrow long ministers
When they confront
A round table people,
After years of working up the table
To finally sit at its head,
Only to discover
That the table has been turned round?
They must be loved into roundness,
For God has called a People
Not "them and us".
"them and us" are unable
to gather round; for at a round table
there are no sides
and ALL are invited
to wholeness and to food.
At one time
Our narrowing churches
Were built to resemble the Cross
But it does no good
For building to do so,
If lives do not.
Round tabling means
No preferred seating,
No first and last,
No better, and no corners
For the "least of these".
Roundtabling means
Being with,
A part of,
Together and one.
It means room for the Spirit
And gifts
And disturbing profound peace for all.
We can no longer prepare for the past.
To be Church,
And if He calls for other than a round table
We are bound to follow.
Leaving the sawdust
And chips, designs and redesigns
Behind, in search of and in presence of
The Kingdom
That is His and not ours.
Chuck Lathrop

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