Showing posts with label Design. Show all posts
Showing posts with label Design. Show all posts

Saturday, 3 July 2010

iPad: Unobscure Object of Desire

After a few days of use, how is the iPad? I’m coming to terms with fear of being mobbed or robbed, and it certainly is very much lighter, slicker and more lust-evoking than other devices. It is particularly strong as an eReader, not only for the reading experience itself, but also because it straddles the various formats superbly. Video is wondrous compared to other techtoys.With the number of developers out there, and the low price of apps for it, the future seems bright.

The screen is delightfully bright and clear, if too easily subject to the aesthetic ravages of iggy-wiggy fingermarks. Operational basics come as no surprise to horny-handed iPhone users like me. The user experience is breathtakingly simple and elegant. Doutbless it will require considerable software bells and whistles to be all it could be, but the basic idea is sound. Software developers may indeed start working towards apps that will make it function more and more as a business tool, and such software is out there, in embryo, already.

What can I do I couldn’t? Not a lot, perhaps, although I am revelling in having a Hebrew Bible (proper Biblica Hebraica 4th Ed) with on-screen analysis of words — touch the word and up comes the BDB. This feature would, in itself, have saved me at least a term as an undergraduate! But these are obscure pleasures. Whatever your game may be, this gadget is going to raise it, as well as impress your teenage offspring durch technik.

Is it ethical to own such a thing? What about poor working conditions in the Foxconn factory in China? I’m afraid mine was winging its way before the media had splashed this story, and now there are various contested narratives around it, including a story from Foxconn that the suicide rate among its 800,000 workers (13 attempts this year) is, in fact, significantly lower than the Chinese national average. Interpreting the data is not easy, and my main impression is of how ignorant I am about Chinese cuture and society.

Apple itself is almost certainly as embarrassed about this story as Nike was over the one a few years ago about its subcontractors’ factories in the Philippines. It certainly lifts the veil on a major aspect of current Western production practice, and it’s hard to know whether the rumoured Foxconn plan to transfer its operations to Taiwan is good or bad news. There is something questionable about the whole economic model we are using for production these days, perhaps, and all of us in the west are implcated up to our armpits. Time for a bit of badgering on Facebook, perhaps, but the whole model everyone is using may be smelling slightly fishy, and worthy of further investigation. How will the development of a new middle class raise standards in China? In this new industrial revolution, it’s a question worth asking about all our techological objects of desire.

As to the bigger picture, I note that the value of Apple surpassed that of its auld enemy Mirosoft on 26 May ($223 Bn over Microsoft’s $219.3 Bn) — Deep joy, that this was achieved by design-led engineering.

Jonathan Ive and colleagues deserve the credit; the English may have lost their touch for footie, but they can still do design.This device, above all, shows the power of simplicity.

Is there no limit to the iPad’s artfulness? Practically speaking, it needs multitasking and, perhaps a clearer way of showing where it stores files. There is also some kludginess about file transfer to solve, and battery life could always be extended. There is a major need to develop productivity software before it can quite substitute securely for a laptop,. You do really need a £49 bluetooth keyboard before you’ll want to write your next novel on it with iWork or similar.

All this is small fry, however, compared to the wonderful way the device brings together engineering and function-led simplicity so elegantly into a convincing single device. At launch, however, I have to give it five out of five strawberries, as well as take a mental note to pay more attention to the soft underbelly of production ethics in future.

Saturday, 12 June 2010

How the Swiss conquered the world...

...without anyone noticing. Design education for all! Had it come from Bristol not Basel it would have been called Helvetical, indeed it probably has been, but since 1957 Helvetica has become the Lingua Franca of print. And now it has its own Movie.

Helvetica is the finest design education documentary I have seen. It tells the tale of how the West was won — by Max Miedinger and Eduard Hoffmann at the Haas’ Schriftgiesserei in the Swiss village of Münchenstein (Basel).

The boys were trying to produce a clean modern interpretation of Akzidenz Grotesk, a classic Victorian Sanserif, for the Swiss market. Three years of development produced Neue Haas Grotesk, at around the time clean design was all the rage. Reflecting on the success of Univers, Artur Ritzel of Stempel picked up NHG, reworked and renamed it, cleaning up its characteristic horizontal endings. Enter Monotype and variants in variants in Arabic, Cyrillic, Greek, Hebrew, and Vietnamese and hey presto! the boys soon conquered the world, in a characteristically understated Swiss way, without anyone noticing.
This wonderful film, which is nothing like as boring as I probably make it sound, shows how Helvetica fills the earth, from the NY subway to sports shirts, TV titles, Brass plates, prostitutes’ calling cards, Church bulletins, commercial logos, road signs...

It is the glory, and perhaps, curse, of type to be almost entirely implicit. Little things make all the difference. It works by not drawing attention to itself.

This film stars the John, Paul, George and Ringo of type design (Massimo Vignelli, Matthew Carter, Erik Spiekermann, and Wim Crouwell — and where’s Lars Müller? you ask). My eyes were opened to such things by Spiekermann’s fabulous book Stop Stealing Sheep, and hairs rose on the back of my neck as the Great Man, resplendent in bottle-thick glasses, held forth in a thick Teutonic accent:
Other people look at bottles of wine or girls’ bottoms. I look at type. It’s a very nerdish thing to do, but I am very much a work person, I think.
Go Erik! Modernism. That‘s the rub. Helvetica is characteristic of Modernism — clean, open, minimalistic. If you don’t like Modernism, you probably don’t like Helvetica. This film is not entirely reverential. However one look back at the tawdry, fudged up design of a fiftes Magazine was enough to convince me that 50 years of Helvetica is worth celebrating. If only it was as easy to clean up every other aspect of the New York Subway system!

Sunday, 18 October 2009

Cardboard Craft and Cutouts

A triumphantly original animation comes across to my attention — Cardboard, a graduation project from Dutch anomator Sjors Verwoort. More of his work here. I love the originality of his design idea, and the subtle and not-so-subtle ways it has been brought to life against a crowded urban backdrop. It’s a bit of fun for a busy Sunday, and definitely from a designer to watch.

Monday, 23 March 2009

Thank God it’s Monday Morning?

Is your calling calling? I was deeply moved by this year’s Superbowl ad from Monster.com, an ad classic surely, that has not received the attention it deserves this side of the pond:

Wednesday, 1 October 2008

Valuable Values make Visual Visions

Working through a Vision ’n Values statement the other day a light came on about why these things are so often turgid objects of derision.

A Vision has to be visual. “A Personal Computer on every desk” is visual. “To be the best distributor of prime punnets in the UK” isn’t visual. Actually it’s just a bunch of crap — a clumsy manipulative soundbite that leaves wide open the question of what they mean by “best.”If the vision isn’t visual, it’s just a jingle. “Imagination is more powerful than knowledge” (Thanking you, Dr Einstein). Imagination is kindled by clear visual stimulation, not waffle.

Values have to be truly and recognisably valuable. “Not to impose things from above but do everything bottom up” isn’t a value. It’s prudent behaviour in many circumstances but it isn’t universalizable. Anyone can easily think of actions that should be done from the centre; like making laws or printing money. A value has to be something people click with straight away (like “humility”, “realism”or “self-respect”, for example) and recognise as something they hold dear, or it won’t inspire anyone. And if the organisation’s values are vague, the mower won’t start because the fuel’s not flammable any more. A value also has to be something to which people can hold themselves and the organisation acccountable...

Rant ends.

Tuesday, 25 September 2007

Love and Death...

Dr Randy Pausch (47) teaches computer science at Carnegie Mellon university, and is a world rated Virtual Reality Guru and Ubergeek. CMU challenges its professors, if you could only give one last lecture about the things that really matter, what would you say? Last Tuesday's “last lecture” was different. Dr Pausch is actually suffering from Pancreatic Cancer, and has only a few more months to live. He talks about his childhood dreams and what happened to them, and what's to live for, and how.

Have you got any “last words” for anyone? What would you say?
OK. If you've got more than six months to live, How are you going to live, and what for?

Above is a very brief extract of the lecture — Here's a higher quality video of the whole lecture, in context — The talk runs for about an hour from 10 minutes or so in — you can scroll through when it's running:

Wednesday, 19 September 2007

Beelzebub has a devil set aside for me

The Lord of the Flies is sporting a new Dame Edna look this autumn.
These 2mm wide glasses are a striking test piece for ultra precise fast pulse laser nanotechnology. As manufacturing processes follow the exponential development curve described for chips by Moore's Law, computing power grows. Most of us nestle far more raw computing power on our laps than existed in the world when we were born.

(Just) William would say, 'it stands to reason' that this increasing miniaturization can't go on indefinitely... or can it? What new and creative uses can you think of for this kind of nano-technology?

Tuesday, 18 September 2007

Back to the Future?

Paleo-Future (Palaeo-future?) is for history junkies who wonder how the future looked from the past. Relish thought-transmitting headgear for women, paperless offices and personal hovercraft! here at home I treasure a yellowing cutting from the Times of July 1971 claiming, as a mathematical certainty, that all vestiges of organised religion would have disappeared by 2011.

Our forebears didn't always get it wrong, however. Some 1900 cards from the French Government's national collection certainly ring a few bells...

The UK National Curriculum?











Cable TV Porn channels?










The Iraq War?











Without launching into a great Rumsfeld "unknown unknowns" thing, this proves the Mark Twain principle that what makes a monkey out of you isn't what you don't know. It's what you think you know, but it's wrong!
What false certainties do we cherish about our future, or, for that matter, our present?

Wednesday, 5 September 2007

Design 101: The power of simplicity

A bit of fun, with a message. Big institutions fug things up when they bolt things on to try and help. We fug up our buildings and worship almost by accident as various things grow like Topsy, then wonder why people can't make head nor tail of them. Bishop Colin and I held a clergy day at Gerrard's Cross with Richard Giles earlier this year (following an earlier initiative by Bishop Stephen) about this issue.

Before you ask "What do our buildings and worship say to people?" ask "How would Microsoft package an iPod?"

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